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Performance

Espressivo

Espressivo (Italian “expressive”) asks for a performance with particular expression, usually for the melody. It is written out or abbreviated as “espress.” or “espr.” below or above the staff.

Meaning
expressive
Abbreviation
espress. or espr.
Language
Italian, from “esprimere” (to express)
Related
Cantabile
Related
Dolce

Expressive

“Espressivo” is derived from “esprimere” (“to express”). As a performance direction it means “expressive”. What is meant is a particularly intense and effective performance, above all of the melody. It prescribes no fixed volume and no tempo; the word demands that the music “say something”.

p espressivo: melody over accompaniment

4 4 p espressivo

The upper voice has six notes, five of them under a slur across two bars; the lower voice accompanies with five notes. “espressivo” and p are written at the first note of the melody.

Espressivo and hairpin

3 4 p mf p espressivo

A hairpin shapes the melody here: it grows over the first three notes from p to mf and fades over the following five notes until p is reached at the last note.

Word and abbreviation

Besides the word there are the abbreviations “espress.” and “espr.”. On the sheets from the archive, Chopin has the full word and Mertz the abbreviation “espress.”. There is also “con espressione”, “with expression”, which hardly differs in meaning.

Piano

Guitar

Chopin writes “p espressivo” at the beginning of the melody, dynamics and performance direction together. In Mertz the direction is in bar 13 under the bass, not above the melody.

Espressivo, dolce and cantabile

All three are character directions. Dolce means the soft sound, cantabile the singing delivery, espressivo the expressive shaping. The word names no means; how to create expression is up to you, for example through fine gradations of volume.

Practice: Play a short melody first evenly and then espressivo. With each phrase ask yourself: where is it going, where is its high point? Shape it towards that point with small changes of volume.

Common mistakes

  • Reading espressivo as an order to get louder: Chopin writes p with it.
  • Playing everything equally expressively: Expression needs a direction; without a high point it sounds arbitrary.
  • Confusing expression with exaggeration: The direction asks for shaping that suits the music, not effects.