Skip to content
Performance

Cantabile

Cantabile (Italian “singable”) asks for a singing style of performance: a melody should sound the way a singing voice would shape it. The word appears alone, with a tempo word as in “Andante cantabile”, or next to “dolce”.

Meaning
singable, performed in a singing style
Language
Italian, from “cantare” (to sing)
Written
alone, with a tempo word or next to dolce
Related
Legato
Related
Dolce

Playing in a singing style

“Cantabile” is derived from “cantare” (“to sing”). It means a melodic passage that is to be performed according to the qualities of singing; the performance direction has the same name, for example in “andante cantabile”. It is usually rendered “in a singing style”. In instrumental music the playing is meant to imitate the human voice.

Cantabile: a singable melody in slurs

4 4 mp cantabile

Two slurs carry the melody: the first over four notes, the second over three. The final note is a whole note.

Andante cantabile: melody over accompaniment

4 4 mp Andante cantabile

The melody has six notes, five of them under the slur, then a whole-note ending. The lower voice accompanies in sixteen even eighth notes. A singing voice would carry the melody, while the accompaniment stays in the background.

Cantabile in the score

In the sheets from the archive the word occurs in three forms: alone, with a tempo word and next to “dolce”.

Guitar

Piano

In Mertz it appears alone at the beginning, in Foster as an addition to “Andante” and in Burgmüller together with “dolce” and p. So cantabile can appear alone or join a tempo word or “dolce”.

Cantabile and legato

Legato means “connected” and refers to how the notes join one another. Cantabile names a wider context: the melody should sound as if sung, with breath, phrases and a direction. English-language music glossaries name a moderate tempo and flexible legato as means to this end. Connected playing is therefore often part of cantabile, but not the same thing.

Practice: First sing or hum the melody, then play it, and make sure it breathes in the same places as your voice. Decide on the high point of each phrase and shape the line towards it.

Common mistakes

  • Equating cantabile with slow: The word prescribes no particular tempo; in Mertz there is no tempo marking beside it.
  • Playing every note equally loud: A singing voice shapes each phrase; an even attack sounds mechanical.
  • Playing the accompaniment too loudly: The melody carries, the accompaniment supports it.