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Chord

Power chord

A power chord is a chord of root and fifth without the third, very common in rock and metal guitar. Because the third is missing, it is neither major nor minor and fits over both. It can be heavily distorted without sounding muddy.

Structure
root + fifth
Notation
A5 = A + E
Missing
the third, hence neither major nor minor
Typical in
rock and metal, distorted guitar
Background
fifth

A fifth without a decision

The article Why the fifth sounds hollow explains the structure: a triad becomes major or minor only through the third, the fifth alone says nothing about that. C–G is neither cheerful nor sad, it is a statement without colouring. That is exactly why the power chord of rock music is a fifth without a third. It can be distorted loudly, because few overtones come into conflict with one another, and it fits over major as well as minor melodies, because it does not commit itself. The page Intervals adds: in rock and metal power chords are played that consist only of root and fifth (for example “A5” = A + E). The deliberate omission of the third allows heavy distortion without the sound becoming muddy.

A5: root and fifth

A E fifth

Two notes, seven semitones: A and E. There is no third (C or C♯).

ChordNotesThird?Effect
A (major)A–C♯–Emajor thirdbright
Am (minor)A–C–Eminor thirddark
A5 (power chord)A–Enoneneutral, fits over both
A5ID5IVE5VA5I

The minor third in minor riffs

On the Intervals page there is another hint about the minor third: three frets are a commonly used stretch for minor riffs and blues licks; a power chord itself has no third. In pentatonic playing the minor third is one of the most characteristic intervals.

A detour for adults

The article on the fifth names a learning path: a guitarist who has been fretting fifths for years without knowing that they are fifths already has all the listening knowledge, only the name is missing. The question “why can you play over major and minor with it?” leads in one sentence to the answer: because the third is missing, and the third is the decision. More in Major and minor: the third as a switch.

Try it yourself: Fret A5 (A–E) and play a melody in A minor over it and then one in A major. The chord fits both.

Common mistakes

  • Calling the power chord a major chord: Without a third it is neutral.
  • Confusing fifth with root: A5 consists of A and E, not of A and A.
  • Adding too many notes: With a third it becomes a major or minor chord.