Polychord
A polychord is a harmony made of two or more chords stacked on top of each other, such as D major over C major. The chords remain audible as separate chords and yet fuse into a common, richly coloured whole.
- Construction
- two chords on top of each other
- Notation
- like a fraction: upper chord on top, lower chord beneath
- Well-known example
- Petrushka chord (C major and F♯ major)
- Period
- mainly 20th-century music, also jazz
Two chords, one sound
A polychord arises when two chords sound at the same time, each with its own root, and the ear can still recognise both. A single chord is built in thirds. Here, by contrast, two complete triads are stacked on top of each other, for example D major over C major. The chord symbol is written like a fraction: the upper chord on top, the lower one beneath. In running text one writes “D over C”. The slash in the symbol D/C means something different on the page Slash chord: there only a single bass note follows the slash.
D over C: the lower chord in the bass clef
The lower chord is C major: C–E–G.
D over C: the upper chord in the treble clef
The upper chord is D major: D–F♯–A. Together the two give the notes C–D–E–F♯–G–A. That is the Lydian scale on C, only without the B.
Petrushka chord: C major and F♯ major singly and together
First the two triads sound singly, then together. The third chord is a polychord. The roots C and F♯ lie a tritone apart, and the two triads have no note in common.
In the glossary: Triad · Polytonality · Seventh chord
Listening
The first two chords are the building blocks, the third is their stacking. With D over C the lower C major triad sounds firm, the upper brings extra colour with the F♯, which C major does not contain. In the last chord C major and F♯ major lie on top of each other, their roots a tritone apart. That sounds harsher.
The Petrushka chord
The “Petrushka chord” from Igor Stravinsky's ballet “Petrushka” of 1911 is famous. It sounds C major and F♯ major at the same time. The two keys stand opposite each other on the circle of fifths, a tritone apart, and the sound counts as the epitome of simultaneous keys.
In jazz the polychord appears as the so-called upper structure: a chord lies over a bass note or a basic chord and extends it with notes such as ninth, augmented eleventh or thirteenth. The D major above C contains exactly such colour notes for C: D is the ninth, F♯ the augmented eleventh and A the thirteenth.
What a polychord is not
Three neighbouring terms are close but mean something else:
- Slash chord: here only the bass note is changed, for example C/E for C major with E in the bass. It remains a single chord. The polychord, by contrast, consists of two complete chords.
- Polytonality: several keys sound at the same time, also as melody or voice. The polychord stays at the level of the single chord.
- Extended chord: a ninth or thirteenth chord can often also be read as a polychord, and vice versa. It depends on whether you want to hear the sound as one chord with added notes or as two separate chords.
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Related terms
PolytonalityTriadJazzSeventh chordNinth chordQuartal harmonyTritone
Editor: Maik Krohm · reviewed on 3 October 2026
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