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Chord

Polychord

A polychord is a harmony made of two or more chords stacked on top of each other, such as D major over C major. The chords remain audible as separate chords and yet fuse into a common, richly coloured whole.

Construction
two chords on top of each other
Notation
like a fraction: upper chord on top, lower chord beneath
Well-known example
Petrushka chord (C major and F♯ major)
Period
mainly 20th-century music, also jazz

Two chords, one sound

A polychord arises when two chords sound at the same time, each with its own root, and the ear can still recognise both. A single chord is built in thirds. Here, by contrast, two complete triads are stacked on top of each other, for example D major over C major. The chord symbol is written like a fraction: the upper chord on top, the lower one beneath. In running text one writes “D over C”. The slash in the symbol D/C means something different on the page Slash chord: there only a single bass note follows the slash.

D over C: the lower chord in the bass clef

The lower chord is C major: C–E–G.

D over C: the upper chord in the treble clef

The upper chord is D major: D–F♯–A. Together the two give the notes C–D–E–F♯–G–A. That is the Lydian scale on C, only without the B.

Petrushka chord: C major and F♯ major singly and together

First the two triads sound singly, then together. The third chord is a polychord. The roots C and F♯ lie a tritone apart, and the two triads have no note in common.

In the glossary: Triad · Polytonality · Seventh chord

Listening

CDD over CF♯ over C

The first two chords are the building blocks, the third is their stacking. With D over C the lower C major triad sounds firm, the upper brings extra colour with the F♯, which C major does not contain. In the last chord C major and F♯ major lie on top of each other, their roots a tritone apart. That sounds harsher.

The Petrushka chord

The “Petrushka chord” from Igor Stravinsky's ballet “Petrushka” of 1911 is famous. It sounds C major and F♯ major at the same time. The two keys stand opposite each other on the circle of fifths, a tritone apart, and the sound counts as the epitome of simultaneous keys.

In jazz the polychord appears as the so-called upper structure: a chord lies over a bass note or a basic chord and extends it with notes such as ninth, augmented eleventh or thirteenth. The D major above C contains exactly such colour notes for C: D is the ninth, F♯ the augmented eleventh and A the thirteenth.

What a polychord is not

Three neighbouring terms are close but mean something else:

  • Slash chord: here only the bass note is changed, for example C/E for C major with E in the bass. It remains a single chord. The polychord, by contrast, consists of two complete chords.
  • Polytonality: several keys sound at the same time, also as melody or voice. The polychord stays at the level of the single chord.
  • Extended chord: a ninth or thirteenth chord can often also be read as a polychord, and vice versa. It depends on whether you want to hear the sound as one chord with added notes or as two separate chords.
Practice: At the piano play the lower chord with the left hand and the upper with the right. Balance the volumes so that you can hear both chords separately. Then play them together and notice which notes rub against each other.