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Chord

Seventh chord

A seventh chord is a four-note chord: a triad with a further third on top. It is named after the seventh between the lowest and the highest tone. The most important is the dominant seventh chord, which pulls strongly to the tonic.

Four tones instead of three

If you stack a further third on the triad, a seventh chord arises. The triad is the basic building block, but harmony only becomes really rich through extensions. Every additional tone brings a new nuance of tension between the poles of rest and urge. Seventh chords and further extensions are the reason why jazz and modern harmony sound more colourful than a purely triadic setting.

Seventh chordStructureExampleSound
Dominant seventhmajor triad + minor seventhG7full of tension, pulls to the tonic
Major seventh (maj7)major triad + major seventhCmaj7soft, jazzy, floating
Minor seventh (m7)minor triad + minor seventhDm7round and mild
Half-diminished (m7♭5)diminished triad + minor seventhBm7♭5typical in minor cadences
G7dominantCmaj7majorDm7minorBm7♭5half-diminished

The dominant seventh chord

It sits on the dominant and contains a strong dissonance: the tritone between the major third and the minor seventh. You hear that it sounds “unfinished” and wants to go on. This built-in pull makes it the engine of countless closing formulas, from Bach to today's pop song. In blues and jazz the minor seventh is the characteristic interval. The diminished seventh chord is a special case: it consists of three minor thirds and has no clear root, see Diminished seventh chord.

In a chord progression seventh chords are written with an addition: C7 for the dominant form, Cmaj7 or CΔ for the major seventh, Dm7 for the minor seventh chord.

Practice: In Identify Chords the four-note chords join after diminished and augmented: dominant seventh, major seventh, minor seventh and half-diminished seventh chord. Sing the root along. According to the module this is the only trick that really works for four-note chords.

Common mistakes

  • Mixing up seventh chord and seventh: The seventh is the interval, the seventh chord the whole four-note chord.
  • Swapping major and minor seventh: G7 has the minor seventh (F), Cmaj7 the major one (B).
  • Confusing half-diminished and diminished: The half-diminished chord has a minor seventh and a clear root.