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Theory

Passing note

A passing note is a melodic note that does not belong to the chord sounding at that moment and joins two chord tones by step. It usually falls on a weak beat, carries on in the same direction and so resolves by itself.

Type
non-chord tone
Motion
by step, in one direction
Usually on
a weak beat
Counterpart
suspension

A note on its way

A triad consists of root, third and fifth. All other notes sounding above it in the melody are non-chord tones. The passing note is the most harmless case: it fills the gap between two chord tones a third apart, and so the ear does not feel it as a disturbance. That is the general textbook definition.

Passing notes over C major: C – D – E

C D E F G

Over the C major chord (C–E–G), C, E and G are chord tones. The D between C and E and the F between E and G are passing notes. They are marked.

CI

Play the melody over the held chord. The D and the F do not stand out because they pass through: they lie between notes of the chord, carry on in the same direction and fall on unstressed beats.

How to recognise one

  • First determine the chord, then check which melody notes do not occur in it.
  • If the note moves by step from one chord tone to the next, it is a passing note.
  • If the note falls on a strong beat instead and only resolves afterwards, it is a suspension.

Strong and weak beats are explained on the page Rhythm: in 4/4 time beats one and three are strong, two and four weaker. Passing notes typically fall on the weaker beats.

Practice: Take a simple song from the German Song Sheets and work out the chord for each bar. Then mark every note that is not in the chord and ask of each whether it lies between two chord tones.