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Meter

Beat

A beat is the single unit of time in a bar that you count or tap along to. The time signature fixes how many there are and which note value forms one beat. Not all beats are equally strong: the bar sorts them into stressed and unstressed.

In 4/4
four beats: 1 2 3 4
Strongest
the one
Second strongest in 4/4
the three
Subdivision
“and”, “e”, “a”

Counting in beats

The bar divides the pulse into sections of equal length, the beats. In four-four time the one is the strongest beat, the three the second strongest, two and four are weaker, and everything in between is weaker still. The ear expects this hierarchy even when nobody explains it. The most important trick in learning rhythm is steady, aloud counting. When a beat splits into two eighth notes, you slip an “and” in between.

SubdivisionHow to count in 4/4
Quarter notes1 – 2 – 3 – 4
Eighth notes1 and 2 and 3 and 4 and
Sixteenth notes1 e and a 2 e and a …

The counting stays absolutely even, even if the notes are not. The numbers are the ruler, the notes the free line drawn over it. If you keep the main pulse with your foot, you do not lose the tempo even in difficult passages.

The silent syllables matter

The most common source of error when reading syncopated rhythms is counting only the beats. As soon as something falls in between, you have no point of reference and guess. The trick is to speak the count aloud throughout and to play only the syllables on which a note actually falls. If the note falls on the “and” after two, you still say “two”, play nothing, and then play on the “and”. If you leave out the silent syllables, you lose exactly the reference that makes the syncopation audible. A syncopation puts a stress where none belongs.

Practice: Foot on every beat, voice counting “one and two and three and four and”, hands clapping along at first. Then leave out single syllables in the clapping, first the one, then the three. If your foot hesitates as well, the basic pulse is not yet independent. In Rhythm Dictation you can practise this with short patterns.

Common mistakes

  • Counting only the beats: The subdivision lies between the numbers and has to be counted too.
  • Speeding up on fast notes: The pulse unconsciously “breathes” with the rhythm. The remedy is to keep tapping consistently with the foot.
  • Swallowing rests: A rest is an active duration and is counted along.