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Ornament

Chain trill

A chain trill is a series of trills that join directly: a melodic line moves on from note to note, and each of these notes is trilled. Between the individual trills there is no break.

Construction
trill on trill, descending or ascending by step
Sign
trill sign over every note, often with a shared wavy line
Termination
usually only at the last trill
Counterpart
single trill, turn

A line made of trills

A single trill ornaments one note: it alternates rapidly with its upper neighbour. The chain trill ornaments a whole line. The melody runs on note by note, and each note is trilled. That produces a continuous, shimmering band of sound over which the melody moves. From trill to trill the termination is omitted, so that the continuity is preserved.

Notation: four quarter notes (shown without trill signs)

4 4

Written out, a trill sign would stand over each of the four notes, often joined by a shared wavy line. The line shows only the four notes, without these signs.

Execution: each trill alternates with the upper neighbour note

4 4

The four trills written out: E–F, D–E, C–D, B–C, four sixteenth notes each. The trills join seamlessly. At the last trill in practice you would often add a termination leading into the following note. Here each trill begins with the main note; in the music of the Baroque and the Classical period the trill usually begins with the upper neighbour note.

In the glossary: Trill · Double trill · Turn

Distinctions

It differs from the simple trill in that not a single note but a whole line is ornamented. It differs from the turn as any trill does: there a self-contained figure plays around the main note, here the note keeps alternating with its upper neighbour. The double trill, in turn, means two notes trilled at the same time, not a series one after another.

On execution

The length of a trill depends on how much time the note has in the notation. In a chain of quarter notes as above, four sixteenth notes fit on each note, so each trill has two full alternations. A slow tempo allows more, a fast one fewer. What matters is that the rhythm stays even and no trill delays the beat.

Practice: Play the written-out version first slowly, then briskly. Make sure each note begins on the beat and the four groups sound alike. Then try playing the chain upwards: B–C, C–D, D–E, E–F.