Al niente
Al niente (Italian “to nothing”) asks you to get softer until the sound is inaudible. In the score it is often a closing hairpin with a small circle at its tip, or the word “niente” at the end of a diminuendo.
- Meaning
- get softer until there is no sound
- Sign
- closing hairpin with a circle (○) at the tip, also “n”
- Position
- at the end of a diminuendo
- Related
- diminuendo
To nothing
An ordinary diminuendo leads from one level to a lower one, for example from f to p. Al niente (“to nothing”) sets the goal lower still: the sound is to decrease until it can no longer be heard. The mark comes at the end of a diminuendo and asks that the tone does not break off suddenly but passes into silence.
Diminuendo al niente: from f into silence
The hairpin leads into the final note, which begins at ppp. In a printed score a circle is often placed at the tip of the hairpin; here ppp and the text “al niente” take its place.
Al niente after a crescendo, bass clef
The tone reaches its peak and then dissolves completely.
The sign
The usual sign is a closing hairpin (>) with a small circle at its tip. Alternatively the word “niente” or the letter “n” is written at the end of the hairpin. Both mean the same: the diminuendo goes down to silence. With a crescendo the starting point can correspondingly be a circle: then the tone begins out of nothing.
In practice
On the piano a tone dies away by itself. The art lies in choosing the touch so that the tone carries exactly as long as the passage lasts. With strings, winds and voice, on the other hand, the sound can be shaped actively and led into silence. If you do not pace your loudness well and get soft too early, you have nothing left to decrease at the end.
Common mistakes
- Disappearing too early: Nothing is the goal, not the beginning.
- Ending the tone abruptly: It should pass into silence.
- Reading the hairpin as a tempo mark: It concerns only the loudness.
Continue on Maikstrings
Related terms
DiminuendoDecrescendoMorendoSmorzandoPerdendosiPianissimoDynamics
Editor: Maik Krohm · reviewed on 3 October 2026
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