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Dynamics

Al niente

Al niente (Italian “to nothing”) asks you to get softer until the sound is inaudible. In the score it is often a closing hairpin with a small circle at its tip, or the word “niente” at the end of a diminuendo.

Meaning
get softer until there is no sound
Sign
closing hairpin with a circle (○) at the tip, also “n”
Position
at the end of a diminuendo
Related
diminuendo

To nothing

An ordinary diminuendo leads from one level to a lower one, for example from f to p. Al niente (“to nothing”) sets the goal lower still: the sound is to decrease until it can no longer be heard. The mark comes at the end of a diminuendo and asks that the tone does not break off suddenly but passes into silence.

Diminuendo al niente: from f into silence

4 4 f ppp al niente

The hairpin leads into the final note, which begins at ppp. In a printed score a circle is often placed at the tip of the hairpin; here ppp and the text “al niente” take its place.

Al niente after a crescendo, bass clef

4 4 p f ppp al niente

The tone reaches its peak and then dissolves completely.

The sign

The usual sign is a closing hairpin (>) with a small circle at its tip. Alternatively the word “niente” or the letter “n” is written at the end of the hairpin. Both mean the same: the diminuendo goes down to silence. With a crescendo the starting point can correspondingly be a circle: then the tone begins out of nothing.

In practice

On the piano a tone dies away by itself. The art lies in choosing the touch so that the tone carries exactly as long as the passage lasts. With strings, winds and voice, on the other hand, the sound can be shaped actively and led into silence. If you do not pace your loudness well and get soft too early, you have nothing left to decrease at the end.

Practice: Hold a tone and let it decay from mf to silence, so evenly that you cannot hear where it disappears. Repeat with a tone that swells from silence (circle at the start of the hairpin). Both train the breath and control at the edge of audibility.

Common mistakes

  • Disappearing too early: Nothing is the goal, not the beginning.
  • Ending the tone abruptly: It should pass into silence.
  • Reading the hairpin as a tempo mark: It concerns only the loudness.