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Dynamics

Smorzando

Smorzando (Italian “smothering, extinguishing”) asks you to get weaker and weaker until the sound is extinguished. Some dictionaries add that the tempo may slacken as well. The abbreviation is smorz.

Meaning
getting weaker and weaker, extinguishing
Abbreviation
smorz.
Tempo
sometimes also slower
Related
morendo

Letting it be extinguished

Smorzando comes from the Italian word for “to smother” or “to extinguish”. In music it means a gradual getting softer until extinction: the sound should not break off suddenly but get weaker and weaker until it disappears. What is meant is more than an ordinary diminuendo, which ends at a certain level, namely a decrease almost to silence. The abbreviation “smorz.” usually appears above the staff at the beginning of the passage.

Smorzando: softer and softer, to the end

4 4 mf ppp smorz.

The hairpin leads from mf to ppp on the long note. The sound should not break off but be extinguished gradually.

Smorzando with slackening tempo, bass clef

4 4 mf pp smorz.

Here it is also played slower. That is not meant in every piece, but it occurs in practice.

Also slower?

The dictionaries do not agree on this. The word itself names the extinguishing of the sound, that is the loudness. But some reference works also name a slowing down. For playing this means: with a smorzando it gets softer first; whether the tempo also slackens is decided by the piece and the context. Where the intention is clear, the composer adds “rit.” or “poco rit.”.

Smorzando and morendo

Both words describe an extinguishing. In practice smorzando and morendo (“dying”) often appear at similar places, especially at the end of phrases or pieces. Smorzando can also appear in the middle of a piece, when a phrase ends in nothing and something new begins.

Practice: Play a phrase and get softer evenly until the last note almost disappears. Make sure the last note still sounds clearly, even if it is very soft. Repeat with an added ritardando and compare how the impression changes.

Common mistakes

  • Getting soft too early: Then the level before the end is already used up.
  • Breaking off the tone: It should be extinguished gradually, not cut off abruptly.
  • Always playing slower: The tempo is not automatically meant.