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Theory

Similar motion

Similar motion (also called direct motion) means: two voices go in the same direction at the same time, both upwards or both downwards. It is the umbrella term for parallel motion, in which the distance stays the same, and for similar motion in the narrow sense, in which it changes.

Latin
motus rectus
Meaning
both voices rise or fall
Special case
parallel motion (same interval)
Counterpart
contrary motion

In the same direction

Two voices can move from one sonority to the next in three ways: they go in opposite directions, one stays put, or both go in the same direction. The last possibility is called similar motion, Latin “motus rectus”. The name says nothing about whether the intervals stay the same; it describes only the direction.

Similar motion with a changing distance

3 4

Both voices rise. The lower goes C–D–E in steps, the upper E–G–C in leaps. The distance changes from the third via the fourth to the sixth: similar motion, but not parallel motion.

How it is classified

Some textbooks divide it once more. If the interval between the voices stays the same, one speaks of parallel motion. If it changes, it is similar motion in the narrow sense. The terms are not quite uniform in the literature, which is why a look at the table is worthwhile, setting all four cases side by side.

Kind of motionWhat the voices doExample
Similar (direct) motionboth in the same directionthird → fourth → sixth
Parallel motionsimilar motion with the same intervalthird → third → third
Contrary motionone rises, the other fallsoctave → tenth
Oblique motionone voice stays putthird → fifth

What is delicate about similar motion

Similar motion is by no means forbidden in itself, it occurs in every texture. It becomes delicate only when both voices approach a perfect interval at once, that is, an octave or a fifth. Such a sequence is called hidden fifths or octaves, and strict harmony teaching avoids it because the voices lose their independence. Together with contrary motion and oblique motion, similar motion forms the three basic kinds of voice leading.

Practice: Play the example and then the same notes in such a way that the upper voice falls while the lower rises. The difference between the two versions is that between similar and contrary motion. In Interval Ear Training you train the intervals that arise.

Common mistakes

  • Equating similar motion with parallel motion: parallel is only the case with a constant interval.
  • Understanding “similar” as “without leaps”: what is meant is the common direction, not the width of the steps.
  • Regarding every similar motion as a mistake: only motion into perfect intervals is restricted in strict teaching.