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Interval

Minor sixth

The minor sixth is an interval across six degrees with eight semitones, for example C–A♭. In just intonation it has the ratio 8:5. It sounds darker than the major sixth and counts as the interval of yearning.

Size
6 degrees, 8 semitones
Ratio
8:5 (just intonation)
Inversion of
major third
On the guitar
eight frets apart
Counterpart
major sixth (9 semitones)

Darker than the major sixth

On the page Intervals the minor sixth is described as the favourite interval of Romanticism: Brahms, Schumann and Tchaikovsky use it to express painful longing or unrequited love. It is also often used in film music to underscore emotional climaxes or tender love scenes.

Minor sixth: C to A♭

C D E F G A♭ 1 1 ½ 1 ½

Six degrees, eight semitones. The A♭ lies a semitone lower than the A of the major sixth.

As well-known examples of an ascending minor sixth, ear-training overviews name the introduction of “In My Life” (The Beatles) and the line with the word “fire” in “We Are Young” (fun.).

Minor sixthMajor sixth
Semitones89
Ratio (just)8:55:3
Fretting the high E string8th fret, sounds C (523.25 Hz)9th fret, sounds C♯ (554.37 Hz)
Characteryearning, painfulbright, open, cheerful
Try it yourself: In Interval Ear Training you hear minor and major sixths in alternation. Play the melodies above and pay attention to the leap.

On the guitar and in the harmonic series

At about 5/8 of the string length the minor sixth sounds. On the guitar that is eight frets apart, on the high E string at the 8th fret C sounds. In equal temperament the frequency rises by the factor 2^(8/12) ≈ 1.587 (523.25 Hz); the just ratio 8:5 = 1.6 would give about 527.4 Hz. Eight frets are, according to the page, a large stretch and are mostly not fretted in one hand position but through a position shift or a string change. On two neighbouring strings the minor sixth can often be fretted with an offset of three frets (four on the G and B strings).

In the harmonic series the minor sixth is the distance from the fifth to the eighth partial. As a harmonic of its own it is hard to isolate; it arises rather from comparing the higher natural harmonics.

Common mistakes

  • Confusing minor and major sixth: Both span six degrees, the minor has eight, the major nine semitones.
  • Mixing it with the fifth: The sixth spans six degrees, the fifth five.
  • Fretting eight frets on one string: The guitar mostly solves the sixth via a string or position change.