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Tempo

Lively

Lively is the English for “lebhaft”, a tempo and expression marking in German: animated, cheerful, with verve. On Maikstrings the word appears with Allegro and with Vivace. In the sheet music archive it turns up in three songs by Franz Schubert, each time with an addition.

Meaning
animated, cheerful, with verve
Language
German (“lebhaft”)
On Maikstrings with
Allegro, Vivace
Additions in the archive
“etwas lebhaft”, “ziemlich lebhaft”

One word, several tempo levels

On Maikstrings “lively” appears in several places and does not always mean the same level. The page Tempo explains Vivace as “lively”. On the page Rhythm Allegro is given as “fast, lively”, on the page Tools as “lively, fast” with 120 to 156 beats per minute. The page Scales describes Allegro as “fast, bright and lively” and calls it the most common rock tempo.

That shows what is typical of words like “lively”: they describe a character, not a fixed number. The page on tempo records that such indications are elastic and leave room to the performer. If a metronome number is printed beside the word in the score, the number takes precedence.

Try it yourself: On the page Tempo you can hear the same basic pulse in three tempi: Largo at 50 bpm, Andante at 92 bpm and Allegro at 138 bpm. The Allegro lies in the range that the pages call “lively”.

Lively in Schubert

In the sheet music archive the German word appears in three Schubert songs. All three carry an addition that grades the strength: “ziemlich lebhaft” (fairly lively) and “etwas lebhaft” (somewhat lively). The score also shows that “lively” says nothing about the metre. The three songs are in three different time signatures:

Voice and piano

In “Der Musensohn” it is 6/8, in “Die Forelle” 2/4 and in “Suleika” 3/4. In 6/8, according to the page Rhythm, you usually count two groups of three eighth notes, whereas 3/4 has three quarter notes. Lively is therefore not tied to a time signature.

Common mistakes

  • Equating “lively” with “fast”: It describes agility and verve, not only the speed.
  • Overlooking the additions: “Etwas lebhaft” softens the marking, and “ziemlich lebhaft” shifts it as well; no metronome number says exactly how.
  • Expecting a fixed bpm number: The German marking is less exact than a metronome number. That also holds for the Italian words.