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Ländler

The Ländler is a folk dance from southern Germany, Switzerland and Austria in triple time, usually given as 3/4 in reference works. It is slower than the waltz and probably influenced its origin. The sheet music archive holds a Ländler for guitar that is notated in 3/8.

Type
folk dance, widespread in southern Germany, Switzerland and Austria
Time signature
Three-four time, Three-eight time
Tempo
slower than the waltz
Name
traced back, among other things, to the “Landl” in Upper Austria

A dance in triple time

The Ländler is a folk dance from southern Germany, Switzerland and Austria. It is regarded as a slow folk dance in three-four time; the tempo is usually moderate and the time signature usually 3/4, rarely 2/4 or 7/8. The name is traced back to the “Landl” (Upper Austria), where the dance was danced; three possible roots are given for the name altogether.

What distinguishes it from the waltz above all is the tempo: the “landlerte” dance, that is, the slow one, is set against the faster waltz, and it probably influenced the origin of the waltz.

Ländler in 3/8 and in 3/4

Reference works give 3/4 as the time signature of the Ländler, nowhere 3/8. Fernando Sor’s archive sheet, by contrast, is notated in 3/8. Both are triple times; a 3/8 bar has three eighth notes, a 3/4 bar six, so with the same note value it lasts twice as long. The two lines below show the same movement pattern once in 3/8 and once in 3/4, with doubled note values.

Triple time in 3/8: upbeat and sixteenth-note figure

3 8

An example of our own with the movement pattern of the archive sheet, not its melody. The upbeat is a single eighth note. Each full bar has four sixteenth notes and an eighth note: 4 × 1/16 + 1/8 = 3/8.

The same pattern in 3/4: all note values twice as long

3 4

The upbeat is now a quarter note, and the bars consist of four eighth notes and a quarter note: 4 × 1/8 + 1/4 = 3/4. The pattern is the same, but each bar lasts twice as long as in 3/8.

Whether the sheet is in 3/8 or 3/4 makes no difference to the pattern: it remains a dance with three beats, the first of which is the stressed one.

The Ländler in the sheet music archive

Ländler in the archive

  • Gitarrenschule, Stück Nr. 18 Fernando Sor (1778–1839), from the “Guitar-Skole” · guitar · 1 page

    Above the upbeat is “Ländler”, the time signature is 3/8, the key signature has four sharps; the chord symbols begin with E and also include “B” and “B7”, which fits E major. The upbeat is an eighth note. Part 1 runs to bar 8 and has no repeat sign. The last bar of each part fills only a quarter note, and the eighth note of the following upbeat completes it. Part 2 lies between repeat signs and runs to bar 24.

Practice: In Sor’s Ländler count in eighth notes “one – two – three” and put the emphasis on “one”. First play only the upbeat and the first full bar. The four sixteenth notes should run evenly and the eighth note that follows should join on calmly.

Common mistakes

  • Counting the upbeat as a full bar: The upbeat is a single eighth note; the final bar of each part is shortened accordingly.
  • Playing too fast: A Ländler is slower than a waltz.
  • Confusing 3/8 with 3/4: The time signature says which note value is counted. In 3/8 it is the eighth note.