G minor
G minor is the minor key on the tonic G with two flats: B♭ and E♭. Its relative key is B♭ major. The leading tone F♯ is never in the key signature but appears as an accidental in the bar.
The key with two flats
G minor has the same key signature as B♭ major: B♭ and E♭. In natural minor the semitone steps lie between the second and third and between the fifth and sixth degrees. As in all minor keys the leading tone is missing in the natural form, which is why the seventh degree is raised to F♯.
Natural G minor
The key signature has two flats: B♭ and E♭.
Harmonic G minor
The seventh degree is raised to F♯, the leading tone. Between E♭ and F♯ the augmented second arises.
The borrowed leading tone
In the Minuet in G minor from the Notebook for Anna Magdalena Bach there is regularly an F♯, although the key signature has two flats. That is the borrowed leading tone, and it is the reason why every phrase arrives where it should, as the article The leading tone writes. The article plays through the same cadence to C major in three versions: G–C, G7–C and G minor–C. The third version has no leading tone, and the closing effect disappears.
The article Major and minor: the third as a switch names Tchaikovsky's “Old French Song” from the children's album op. 39 as an example: a plain melody in G minor whose effect rests almost entirely on the minor third. The piece is in the archive and linked below.
Pieces in G minor
Piano
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Menuett g-Moll BWV Anh. 115, from the Notebook for Anna Magdalena Bach; attributed to Christian Petzold in the PDF · piano · 1 page
3/4 with two flats. In the first line there is an F♯ in the left hand, although there is none in the key signature: the borrowed leading tone.
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Polonaise g-Moll BWV Anh. 119, from the Notebook for Anna Magdalena Bach (1725) · piano · 1 page
Also 3/4 with two flats. In bar 2 the left hand has F♯ (F♯–E–F–D, the E with a natural sign), again the leading tone as an accidental.
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Altfranzösisches Lied Pyotr Ilyich Tchaikovsky, op. 39 No. 16, from: Album for the Young · piano · 1 page
2/4 with two flats, headed “Moderato assai” and with “p” at the beginning. The melody begins with an upbeat on D.
Common mistakes
- Confusing G minor and B♭ major: Both have two flats. The ending decides.
- Looking for the F♯ in the key signature: It appears as an accidental in the bar.
- Spelling: Write the note letter as a capital and the mode word in lowercase: “G minor”, “G major”.
Continue on Maikstrings
Related terms
MinorB♭ majorD minorC minorG majorKeyRelative keyHarmonic minorCircle of fifths
Editor: Maik Krohm · reviewed on 3 October 2026
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