Skip to content
Key

F♯ minor

F♯ minor is the minor key with F♯ as its tonic and three sharps in the key signature: F♯, C♯ and G♯. Its relative key is A major. On the circle of fifths C♯ minor and B minor lie beside it as neighbours.

Tonic
F♯
Key signature
3 sharps (F♯, C♯, G♯)
Tonic chord
F♯–A–C♯
Dominant
C♯ major, C♯–E♯–G♯
Leading tone
E♯
Relative key
A major
Neighbours
C♯ minor, B minor

Relative of A major

In the table of relative keys on the page Circle of Fifths it says: A major with three sharps, relative key F♯ minor. The minor key begins three semitone steps below the major key and shares its key signature. Neighbours on the circle are E major with C♯ minor and D major with B minor, and according to the page neighbouring keys share six of seven notes, so modulations between them sound natural and soft.

Natural minor

F♯ G♯ A B C♯ D E F♯ 1 ½ 1 1 ½ 1 1

The notes of the A major scale, but starting from F♯. The three sharps are written here as accidentals before F, G and C.

Harmonic minor

F♯ G♯ A B C♯ D E♯ F♯ 1 ½ 1 1 ½ 1½ ½

The seventh degree is raised from E to E♯. The E♯ is the leading tone and lies a semitone below the tonic F♯. Between D and E♯ lies the augmented second.

The leading tone E♯

In natural minor the pull to the tonic is missing. The article The leading tone describes how minor borrows the leading tone: the seventh degree is raised by a semitone. In F♯ minor that means E becomes E♯, and the dominant becomes the major chord C♯. This raising appears as an accidental in the bar, not in the key signature, as with A minor.

F♯miBmivC♯VF♯mi
Try it yourself: In the module Key Signatures you also practise the relative minor keys at higher levels. Get the order of the sharps F♯ – C♯ – G♯ – D♯ – A♯ – E♯ – B♯ firmly into your head, as the page Circle of Fifths gives it.