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Notation

Double dotting

Lengthening a note by three quarters of its value through two dots. The first dot lengthens by half, the second by half of the first.

Notation
two dots after the notehead
Lengthening
by 3/4 of the note value
Total length
1 3/4 times the note value
Also called
double-dotted note

A dot after a note lengthens it by half its value. If a second dot follows the first, half of the first lengthening is added once more. A quarter note (one beat) thus becomes first a note one and a half beats long, then one that lasts 1 3/4 beats. You calculate: 1 + 1/2 + 1/4 = 1 3/4.

One dot: dotted quarter note + eighth note

2 4

The dotted quarter note lasts one and a half beats, the eighth note after it completes the second beat. The short notes are marked.

Two dots: double-dotted quarter note + sixteenth note

2 4

The double-dotted quarter note lasts 1 3/4 beats. After it just one sixteenth note fits into the bar. The contrast between long and short is sharper than with single dotting.

Why two dots?

A double-dotted note is almost as long as the next larger one. A double-dotted quarter note lasts only one sixteenth note less than a half note. The short note after it merely completes the remainder. That creates a sharp, springy rhythm that occurs especially in marches and solemn music.

Note valuewithout dotone dottwo dots
Half note2 beats3 beats3 1/2 beats
Quarter note1 beat1 1/2 beats1 3/4 beats
Eighth note1/2 beat3/4 beat7/8 beat

How to check the sum

Every further dot is half the size of the one before. For the second dot you therefore take half of the first: the half note is 2 beats long, the first dot adds 1, the second 1/2, together 3 1/2. For the eighth note it is 1/2 + 1/4 + 1/8 = 7/8 beat. If exactly the missing remainder is left in the bar after it, the sum works out.

Counting

Count the subdivision in sixteenth notes: a quarter note has four sixteenth notes, the double-dotted quarter note lasts 4 + 2 + 1, so seven sixteenth notes. The eighth sixteenth note, the single one after it, fills up the bar. What matters is not playing the short note too early. It comes only shortly before the next beat.

Practice: Listen to both lines one after the other and tap the quarter-note pulse along. In the first line the short note falls on the “and”, in the second very shortly before the next beat.