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Chord

Diminished triad

The diminished triad consists of two minor thirds stacked on top of each other. Its fifth is diminished, that is, reduced by a semitone. It sounds tense and restless, asks for resolution and in major is found on the seventh degree.

Structure
minor third + minor third
Semitone steps
0–3–6
Fifth
diminished (6 semitones)
Sign
small circle (vii°), in chord symbols °
Example
B–D–F

Two minor thirds

The page Identify Chords sums up how triads are built: a triad arises when you stack two thirds on a root. Major third plus minor third gives major, minor plus major gives minor, two minor ones give the diminished, two major ones the augmented triad. In semitone steps: major 0–4–7, minor 0–3–7, diminished 0–3–6, augmented 0–4–8.

TriadThirdsSemitone stepsEffect according to the Chords page
Majormajor + minor0–4–7bright, glad
Minorminor + major0–3–7dark, thoughtful
Diminishedminor + minor0–3–6tense, restless
Augmentedmajor + major0–4–8floating, hard to place

Triads compared: minor and diminished on B

B D F♯ B D F

On the left Bm (B–D–F♯, perfect fifth), on the right B° (B–D–F, diminished fifth). Only one note distinguishes them: F♯ against F.

The page Chords says: diminished and augmented sound unstable, because their fifth is narrowed or widened, they ask for resolution. Minor and diminished are often confused, because both have a minor third. The difference lies in the fifth: minor has a perfect one, diminished a reduced one. The exercise page advises listening specifically to the top note.

The seventh degree

On the page Diatonic chords the small circle sign is explained: it marks a diminished triad, two minor thirds on top of each other with a diminished fifth. It sounds tense and restless and asks for resolution, mostly to the tonic. In C major that is B° (B–D–F), in the sequence a pull to C.

B°vii°CI

The triad contains a tritone between root and fifth. The article The leading tone describes how the two notes of a tritone resolve: the B pulls a semitone up to C, the F a semitone down to E.

Try it yourself: In Identify Chords diminished and augmented are added at the second level of the exercise, after major and minor.

Common mistakes

  • Confusing diminished and minor: Both have a minor third, only the fifth distinguishes them.
  • Playing the chord as a point of rest: It demands resolution.
  • Overlooking the sign °: It stands for diminished, not for “minor”.