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Ornament

Arpeggio

In an arpeggio the notes of a chord do not sound together but quickly one after another, usually from bottom to top. It is notated with a vertical wavy line before the chord. On keyboard instruments it is also called a “rolled chord”.

Sign
vertical wavy line before the chord
Direction
usually from bottom to top, arrow pointing down for the opposite direction
Also
broken chord as an accompaniment figure
Related
chord

The broken chord

The Italian “arpeggiare” means “to play on the harp”. In an arpeggio the notes of a chord sound in quick succession instead of being struck together. The notes stay on until the chord is complete; the result is a single chord, spread from bottom to top. On keyboard instruments this is also called a “rolled chord”.

Arpeggio on triads (C major, F major; treble clef)

4 4

The wavy line to the left of the chord shows that the notes are struck one after another from bottom to top and all held to the end.

Arpeggio in the bass clef

4 4

In the bass too the chord builds up from bottom to top. The lowest note enters first.

The sign

An arpeggio is marked by a vertical wavy line to the left in front of the chord. It extends from the lowest to the highest note. If you play in the opposite direction, from top to bottom, an arrow pointing down is added. If the line runs across both staves of the piano, the arpeggio begins in the lowest voice of the left hand and runs without interruption to the highest of the right.

Arpeggio and accompaniment figure

The word is also used in a wider sense: when the notes of a chord are played one after another as an accompaniment figure, for instance in guitar accompaniment, this too is called an arpeggio or broken chord. Then the notes are written out individually, without a wavy line. The wavy line, by contrast, means the quick fanning out of a single chord.

Practice: Play a triad on the piano first as a block, then as an arpeggio. Hold the keys until the whole chord sounds and keep the gaps between the notes even. Then play arpeggios in the opposite direction and compare how the sound changes.

Common mistakes

  • Releasing the notes while spreading the chord: In an arpeggio they keep sounding together.
  • Arpeggiating too slowly: Then it turns into an accompaniment figure and the chord falls apart.
  • Striking all notes at the same time: Then you get a block chord, not an arpeggio.