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Harmony

Amen cadence

The Amen cadence is the closing progression from the subdominant to the tonic (IV–I). It carries its name because the “Amen” appended in church singing after the end of a chorale is usually sung on exactly these two chords, one syllable per chord.

Sequence
IV – I, function S – T
In C major
F major – C major
Bass
fifth up or fourth down
Broader term
plagal cadence

Two syllables, two chords

In church singing, above all in Protestant and Anglican hymns, the “Amen” at the end of a chorale or prayer is usually sung on two chords: subdominant, then tonic. From this the progression has its name. The Amen cadence is thus a special case of the plagal cadence, named after its liturgical place and not after a construction of its own.

Amen cadence in C major: right hand

4 4

Two chords, one syllable per chord: A – men. From F major to C major, F moves to E and A to G, while C stays.

The bass to go with it

4 4

The bass goes from F to C, here a fifth upwards (F2 to C3); the fourth downwards can be played just as well.

In the glossary: Plagal cadence · Subdominant · Tonic

Soft instead of goal-directed

The sound clearly distinguishes this progression from the authentic cadence. There the leading tone of the dominant leads insistently into the tonic, and the close sounds goal-directed and closed. In the Amen cadence this leading tone is missing: the subdominant sinks, as it were, back into the tonic. The result sounds soft and confirming, without strong tension.

GVCIFIVCI

That is why it is poorly suited as the sole close of a larger movement and well suited as an afterthought behind a goal already reached. In the hymn book the syllables “A-men” are usually written under the closing pair, often with a fermata over the last chord. The real close of the chorale has then already happened, and the Amen is appended as additional confirmation. The progression also occurs outside church music, as a soft close.

Practice: Play the sequence F – C and then G – C straight after each other and notice the difference. Sing on the syllables “A-men” and let the second chord ring calmly.